Tag Archives: Tim Newby

Cris Jacobs & the Band of Johns fires up the hometown

Cris Jacobs & the Band of Johns

8×10

Baltimore, MD

February 2, 2013

 

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Since The Bridge called it quits just over a year ago, singer-guitarist Cris Jacobs has shown no signs of slowing down as he is a man constantly on the move exploring as much musical ground as he can cover, whether with his new project The Cris Jacobs Band (who released their debut album last year), as part of his long-time bluegrass band Smooth Kentucky, in the various guest spots and sit-ins he appears in with everyone from Anders Osborne to Los Lobos, or in his recent recording session with New Orleans legend Ivan Neville. On a night when his hometown of Baltimore was teeming with excitement in anticipation of the Ravens appearance in the Super Bowl the following day, Jacobs debuted his latest endeavor, The Band of Johns, at his home away from home, The 8×10.

 
Comprised of keyboardist John Ginty (John Ginty Band, Santana, Robert Randolph & the Family Band),drummer John Thomakos (John Mooney, Vanessa Carlton), and bassist Jake Leckie (Cris Jacobs Band) the quartet played together for the first time ever on this evening. With the city already _MG_5284brimming with energy and enthusiasm for the Ravens upcoming Super Bowl appearance, Jacobs show at the 8×10 took on the air of an almost surreal pep-rally at times, with many in the crowd decked out in purple or Ravens jerseys, including both Jacobs in a Ray Lewis jersey and Thomakos in an Ed Reed jersey. Jacobs made numerous references throughout the night to the game, and the inclusion of a couple ofr New Orleans themed covers in “Down South of New Orleans” and “Going Down to New Orleans” only served as another sly reference to the next day’s big game down in the Big Easy. But the most obvious Super Bowl reference came as the band was deep in the midst of a particularly adventurous journey through Jacobs’ old band The Bridge’s long-time live staple “Bad Locomotive.” As the song evolved into a dark swirling jam, the unmistakable driving bass and drum rhythm of the White Stripes “Seven Nation Army” began to show, slowly poking its face out from underneath the familiar chords of “Bad Locomotive.” The song has become the unofficial song/ chant of the Baltimore Ravens and their faithful during this past season, with the acapella chanting of its relentlessly, driving melody _MG_5312becoming omnipresent at Ravens games and seemingly every Super Bowl broadcast from New Orleans. This simple jam evoked the same response from the fans packed into the 8×10 who responded with a stadium worthy rendition of the chant, before the band broke it off and led back into “Bad Locomotive.”

 

But this night was not all about the Ravens and the upcoming Super Bowl, though that was definitely a big part of it. The evenings setlist drew heavily from Jacobs large repertoire of material, using the new material that Jacobs has written recently for The Cris Jacobs Band (including “Dragonfly,” “Devil or Jesse James,” and “Stoned on you”), a smattering of old Bridge songs (“Heavy Water,”, “Honeybee,” and “Devil on Me” among others), and a few tasty covers (the aforementioned New Orleans tunes and “You Can Stay but the Noise Must Go”) _MG_5313thrown in for good measure. This highly experienced band made this wide range music all their own. Jacobs’ soulful wail echoes the southern-fried, gravely, timbre of Lowell George, and the addition of the masterful touch of Ginty and the hard-driving, precise drumming of Thomakos seemed to give his voice that much more power on the evening (or maybe it was just the excitement for the Ravens). For many in the crowd in the crowd there was an extreme familiarity with many of Jacobs’ songs, but with addition of such seasoned skillful players as Ginty and Thomakos the music found new and interesting musical paths down which to wind.

 

Still the overriding theme for the show on this chilly night in Baltimore was the energy that came with the anticipation of The Ravens appearance in the Super Bowl the next day, and the night would appropriately end on that note. After wrapping up their set with a spirited take on The Bridge’s “Colorado Motel,” the crowd began shouting their approval and even more boisterous version of the “Seven Nation Army” chant erupted from the crowd as they waited for the band to retake the stage. The band quickly retook the stage. Leckie and Thomakos began to play along with the crowd, churning out the hard-hitting, pulsating rhythm of “Seven Nation Army,” only this time instead a brief tease, Jacobs and Ginty picked up the rhythm and launched into a full-on version of the song that burned with a ferocity that would make the hometown team’s long revered defense proud, and as everyone in the crowd gave their full-throated best to make their chant heard, all eyes turned towards New Orleans and next day’s Super Bowl._MG_5356

 

 

 

Author’s note – The Ravens would go on to win the Super Bowl the next day, the “Seven Nation Army” chant could be heard constantly throughout the game, Baltimore rejoiced, and for just one small moment there was peace in the world.

 

To see all of Jordan August ‘s photos from Jacobs’ surreal pep-rally please visit here.

10 of 2012: Team Honest Tune’s Top 10 Albums of the Year

Top 10 - HeaderIt is hard to believe that 2012 is coming to a close in a matter of days, but it has been an impressive year of releases from across the musical spectrum. Members of the Drive-By Truckers stepped out on their own, Dr. John re-emerged with a little help from a Black Key, and Alabama Shakes took the airways by storm with their debut, Boys and Girls.
And this is only the tip of a mountain of monumental music.

The members of Team Honest Tune have taken some time and put together their personal top album lists. The lists are as varied as the personalities we have on staff here, from rock to bluegrass to metal. Spend a little time with our lists, check out any albums that you haven’t heard, and be prepared to enjoy some fine, fine music.

 

Tom Speed – Editor in Chief/Publisherdr-john-locked-down

  1. Dr. John: Locked Down – Full of funky gris-gris and retro soul, Dr. John proves on this collaboration with The Black Keys’ Dan Auerbach that even in his 70s, he is still the king of Voodoo.
  2. Jack White: Blunderbuss – The first album in White’s already extensive oeuvre to actually be credited to him as a solo artist, Blunderbuss is a wide-ranging display of his rock bombast craftsmanship and his appreciation for moving American music forward.
  3. Tame Impala: Lonerism – This lush slice of pastoral psychedelia is both a blast to the past and an entrancing excursion into modern day sunshine pop.
  4. Jerry Joseph & The Jackmormons: Happy Book – There’s nary a clunker on this double-disc collection that feels like the culmination of Joseph’s decades long career as a prolific songwriter, a collection that is all the more glorious for harnessing the unique maelstrom that occurs when his songs are expressed through the Jackmormons.
  5. Alabama Shakes: Girls & Boys – One of the most buzzed about bands of the year shows why on this stunning, soulful debut.
  6. Hurray For The Riff Raff: Look Out Mama Look Out Mama is a gorgeous, timeless work of wonder. Alynda Lee Segarra and company deftly mingle Americana sounds from all over the map; dust-bowl ballads, old-timey string bands and folk blues all play prominently, all the while hearkening to times gone by.
  7. Jimbo Mathus: Blue Light – In just six songs, the Mississippi maestro cooks up a cauldron of blues, R&B, soul and country that celebrates rock-and-roll at the molecular level.
  8. Dent May: Do Things – Ditching the ukulele and instead delving into synth grooves, dance-floor shenanigans and Pet Sounds pop, May produced the summer’s most summery release.
  9. Howlin Rain: The Russian WildsHard rock ain’t dead. It’s alive and well on this expansive, scorching ’70s flashback of crunchy, lighter-waving rockers, replete with feedback, some horns and songs about werewolves.
  10. The Lumineeers : Self-Titled While Mumford & Sons, the Avett Brothers, and other stalwarts of the so-called roots revival movement may have garnered more mainstream buzz, the best record of the genre came from this Colorado-based trio and their self-titled debut, a record infused with vocals both plaintive and rousing and an infectious energy that elevate a prodigious selection of original songs to great heights.

 

Josh Mintz – Managing EditorTedeschi_Trucks_Talkin

  1. Tedeschi Trucks Band: Everybody’s Talkin’ – It’s almost unfair to put a live album as number one, but this album is so good it warrants it. It shows the Tedeschi Trucks Band where they should be – onstage, absolutely tearing through their catalog with reckless abandon. From Trucks to Tedeschi to the brothers Burbridge, the album gives all of the players a chance to shine.
  2. Avett Brothers: The Once and Future Carpenter – The Avett Brothers have matured into one of the best bands on the planet, and The Once and Future Carpenter is another large leap forward.
  3. Chris Robinson Brotherhood: Big Moon Ritual – It’s spacey in all the right places, and groovy in every way, just as psychedelic music should be.
  4. Howlin’ Rain: The Russian Wilds – Another phenomenal offering from one of the best little-known rock bands on the planet.
  5. Alabama Shakes: Boys and Girls – There’s something magically raw about this debut release. It’ll be tough to follow up.

 

Jamie Lee – CD/DVD Reviews EditorPatterson_Hood_Heat_Lightning

  1. Patterson Hood : Heat Lightning Rumbles in the Distance – Drive-By Trucker Patterson Hood delivers on his third – and best – solo album. It is vivid, gritty, and full of feeling.
  2. Neurosis : Honor Found in Decay – To say that Neurosis are in the zone would be an understatement. This album sounds as if the instruments are playing the musicians, and they don’t let up.
  3. Jason Isbell and the 400 Unit : Live from Alabama – Jason Isbell continues to cement his reputation as one of the era’s premier songwriters, and he proves on Live from Alabama that he can not only write, but he can perform.
  4. Baroness : Yellow & Green – Baroness reinvented themselves on Yellow & Green with succinct, rocking songs that lack the progressive leanings of previous releases, but make up for them with pure, concise power.
  5. Howlin’ Rain : The Russian Wilds – Howlin’ Rain can’t help but nod to ‘70s-era rock, and they do so with warmth, muscle, and a freshness that is rare.
  6. Glossary : Long Live All of Us – Glossary continue to churn out soulful songs that showcase Joey Kneiser’s songwriting and infectious harmonies he shares with wife Kelly. Long Live All of Us may have flown beneath the radar of the mainstream, but that in no way indicates the impact of this album.
  7. Isis : Temporal – Two years after calling it quits, Isis return with a  collection of rarities that hits all of the right spots. The sonic mastery of this band is to be reckoned with, even on stripped down demos found here.
  8. Stew & the Negro Problem : Making It – Brimming with polished compositions and clever wordplay, Making It is a cinematic collection by Stew and cohort Heidi Rodewald.
  9. Royal Thunder : CVI – Atlanta’s Royal Thunder followed up a solid 2010 eponymous EP with CVI, a debut that is Sabbath-thick and heaving. At the forefront are the breathtaking vocals of powerhouse Mlny Parsons.
  10. Mike Cooley : The Fool On Every Corner – On his first solo album, Mike Cooley is captured live, acoustic, and rummaging through covers and songs from his Drive-By Truckers catalog. With banter that is engaging as the music is spirited, this album clearly articulates his stellar songwriting prowess.

 

Tim Newby – Features Editor Dr. Dog  - Be The Void

  1. Dr. Dog : Be The Void – Dr. Dog have been on a hot streak of late, from Fate to Shame, Shame to their latest album, Be the Void.  This is classic Dr. Dog, full of quirky songs that wear their Beatles, the Band, and Neil Young influences on their sleeve. They are loud and proud, sounding like they were written for drunken campfire sing-alongs.  That is a good thing … a really good thing.
  2. Justin Townes Earle : Nothing’s Going to Change the Way You Feel About Me Now –When you are the son of Steve Earle and named after Townes Van Zandt, you have some big shoes to fill. On Nothing’s Going to Change the Way You Feel About Me, Earle proves just how big his feet really are as he crafts a songwriter’s masterpiece resplendent with horns, Nashville soul, and a lyrically open frankness that is at times a troubling, personal narrative of the demons he struggles with.
  3. Jack White : Blunderbuss – Jack White has been on tear, and everything he touches seems to turn to gold, from the White Stripes to the Raconteurs to The Dead Weather, and now with his first solo album.  Despite the strength and greatness of all his various projects, heading out on his own has freed White up to go where he pleases with little concern.
  4. Alabama Shakes : Boys & Girls – Refreshingly retro with their rock-and-soul sound, Alabama Shakes follow up last year’s massive hype with Boys & Girls, their full-length debut, and they do not disappoint.  All throaty-howl and swampy-grooving guitar, the Shakes make music that, while clearly reminiscent of classic-rock-long-gone, is also as equally forward looking with a hint of punk’s unbridled fury and indie-guitar’s angst.  Music like this makes it fun to get up each morning.
  5. Cloud Nothings : Attack on Memory – It’s easy to try and peg Attack on Memory as a ’90s nostalgia trip, with sludgy guitars, Pixies- Nirvana soft/loud dynamic, and Steve Albini manning the production duties. However, the nine-minute second track, “Wasted Days,” quickly blows that theory out of the water, as it more closely resembles Television’s guitar-freak-out-jam “Marquee Moon.”  That is the genius of Attack on Memory, the way it subtly hints at past greatness, but creates its own unique path.
  6. Punch Brothers : Who’s Feeling Young Now – While rooted in bluegrass, the Chris Thiele-led Punch Brothers explode across the musical universe with their hyperactive kid approach that finds them taking choices coaxing unimaginable sounds from their simple acoustic instruments.  It is space-age bluegrass.  For proof of their otherworldly creativity one only need to listen to their mind-blowing cover of Radiohead’s “Kid A.”
  7. Grizzly Bear – Shields – Shields is not an easy album to get to know. It is deep, dark, and complex, requiring multiple listens to truly absorb all its beauty.  It is not an album that lends itself to loud parties or drinking with friends, but rather one that unfolds over time, revealing itself slowly, before rewarding the patience of the listener with a gorgeous aural trip.
  8. Anders Osborne – Black Eye Galaxy Black Eye Galaxy is a well-developed song-cycle with Osborne leading the listener on a brutally honest, painful journey from his past demons into his future.  It is an open book to a man’s soul, a painful reminder of how flawed we can all be, but told with a touch of unflinching beauty and thunderous guitar.
  9. Cris Jacobs – Songs for Cats & Dogs – After a decade spent as the driving force behind The Bridge, Jacobs has stepped out on his own and released his solo debut-album, Songs for Cats & Dogs. With his storyteller’s eye, passionate guitar, and fiery, expressive voice, he has created an album of deeply, powerful music which defies easy categorization.  It is an album that has an intoxicating, irresistible, rootsy groove that seems to explode from the past with its timeless quality.
  10. Beach House – Bloom – Bloom is all ambient glory and huge, undulating sonic-landscapes awash with singer Victoria Legrand’s ethereal voice filling the sky above.  Following up 2010’s masterful Teen Dream, Bloom expands on the ideas first presented there and finds the Baltimore duo infusing their songs with a hook-based approach that allows those dreamy, textured moments to explode.

Honorable Mention – Dr. John : Locked Down, Gary Clark Jr : Blak & Blu, Jimmy Cliff : Rebirth

 

Sarah Tollie – ContributorEd Sheeran_Debut

  1. Ed Sheeran : + – With his simply titled album +, Ed Sheeran has brought about a rebirth of the bare-boned, bare-souled songwriter in his native Britain—and this year, he’s made waves stateside. The Brit Award-winner is now Grammy-nominated with his lead single “The A Team.” Other memorable offerings from + include “Lego House,” “Small Bump,” “You Need Me, I Don’t Need You,” and “Give Me Love.”
  2. Annie & the Beekeepers : My Bonneville – Boston-based Annie & the Beekeepers have been festival-circuit darlings for several years, and that’s due in large part to two key things: 1) Annie Lynch’s stuck-to-your-bones vocals and 2) her group’s excellent knack for creating excellent albums. This year’s My Bonneville, with such gems as “An Island” and “Always My Heart is True,” is no exception.
  3. Mumford and Sons : Babel – With Babel, Marcus Mumford and company have crafted a second full-length set filled to the brim with sonic gems. It comes as no surprise, then, to hear of the band’s recent honors: From radio-ready and critic-friendly lead single “I Will Wait” to Grammy nominations to their highly successful Gentlemen of the Road tour, Mumford and Sons are riding high—and rightly so—on the strength of this set.
  4. Silbermond : Himmel Auf – Silbermond’s name might conjure up classical music thoughts, and its latest album title, confusion for non-German speakers, but this Teutonic band speaks volumes and breaks barriers with its music. With Himmel Auf (or roughly, “Sky open” in English), Silbermond connects with listeners on a deeper level: The disc  plays boldly, beautifully with ever-ethereal vocals from Stefanie Kloss and driving beats from members Andreas Nowak, Johannes Stolle, and Thomas Stolle.
  5. JD McPherson : Signs and Signifiers – JD McPherson serves up semiotics, soul, rock, and blues on his much-abuzz major label debut. Signs and Signifiers sets fire with tracks such as “North Side Gal” and the aptly-titled “Fire Bug.” Rolling Stone has caught McPherson’s flame, too, naming him an “Artist to Watch” in its November 19 issue.
  6. Ellie Goulding : Halcyon – Following the still-building buzz of her debut single “Lights,” British electro-pop songstress Ellie Goulding returned triumphantly this year with her sophomore effort, Halcyon. From the pulsing lead single “Anything Could Happen” to the emotive track “Only You,” Goulding’s whisper of a voice shouts and softens at all of the right moments.
  7. Hanson :  No Sleep for Banditos The Tulsa trio’s mini studio effort No Sleep for Banditos was released earlier this year as part of an exclusive fan club package. But, on the strength of this five-track set, one thing is clear: Hanson warrants a wider audience. The standout song is the EP’s fourth track, the rousing and rocking “Heartbreaker.”
  8. Shovels and Rope : O’ Be Joyful It’s possible that Shovels and Rope might have never happened: Cary Ann Hearst and Michael Trent had carved their own sonic paths with their own full-length efforts, Lions and Lambs and The Winner, respectively. Luckily, Hearst and Trent released their second effort, O’ Be Joyful, earlier this year. Key tracks on this funk and folk, country and rock set include “Birmingham” and “Tickin’ Bomb.”
  9. Gossip : A Joyful Noise – After a brief foray into the solo world, powerhouse front woman Beth Ditto fully returned to her band this year with Gossip’s fifth full-length set, A Joyful Noise. Following the delightful bop and pop, disco and dance of Music for Men, this album finds the worldly (by way of Arkansas) band breaking new sonic—and certainly, stuck-to-your-bones—ground. Catchy, dance-y keepers include the Madonna-esque lead single “A Perfect World” and “Love in a Foreign Place.”
  10. Alex Band : After the Storm – Former frontman of rock band The Calling, Alex Band is back with another brief, but haunting, set. After the Storm finds Band traversing the darker depths of childhood, love, and relationships. Set atop sweeping, mid-tempo beats, “Take Me Back,” “Right Now,” and “King of Anything” show Band at his best.

 

Brett Bickley – ContributorJerry_Joseph_Happy_Book

  1. Jerry Joseph & the Jackmormons : Happy Book – Yes, artists still release double albums. And this? It is the best rock album of 2012.
  2. Trixie Whitley : Fourth Corner – Forget Adele. Trixie is the most brilliant female artist performing and recording today.
  3. Mike Dillon : Urn – I don’t even know where to begin. But trust me, this guy is the real deal.
  4. Lettuce : Fly Fly is just one of the many reasons why Eric Krasno is one of the most amazing musicians recording today. Plus, you can dance all night to it.
  5. Medeski, Martin & Wood : Free Magic – This ain’t your father’s jazz. Intriguingly intricate, interesting, and damn fine.
  6. Wil Blades & Billy Martin : Shimmy How can two Caucasians sound this funky? Apparently, quite easily.
  7. Will Johnson : Scorpion – If My Morning Jacket love this guy, you can’t go wrong. You can feel the sand and tumbleweeds as you listen to this slice of desert Americana.
  8. Gaslight Anthem : Handwritten – Next to Bruce, the band that makes me proud to live in New Jersey.
  9. Chris Robinson Brotherhood : Big Moon Ritual/The Magic Door Forget Phish. This is the band that will replace The Grateful Dead.
  10. Swans : The Seer – The genius of Michael Gira returns to us in walls of emotion and noise. It is guaranteed to peel your soul open and lay it bare.

The Bridge & National Bohemian: Funky Little Moments

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Words by Tim Newby/ photos by Jordan August

“This sounds good. How can we fuck it up,” remembers Bridge guitarist Cris Jacobs being asked by legendary producer Steve Berlin during the recording of their latest album, National Bohemian, which was helmed by Berlin.

Jacobs’ longtime band mate, mandolinist Kenny Liner elaborates, “Steve’s whole attitude is you have heard everything before, so let’s try something you haven’t heard, and that is such an amazingly cool attitude to have as a band going in to record an album.”

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Caleb Stine – Music is Life

By: Tim Newby / Photos by: Tim Newby

047A glass of whiskey sat in front of me, directly next to it a typewriter with a blank sheet of paper loaded into the carriage.   Try it out, implored Baltimore singer/songwriter Caleb Stine.

The typewriter sat on the table in Stine’s kitchen and he had just finished telling me how, in a very Dylan-esque way, he likes to type out all of the lyrics to his songs. He explained, “When it is typed it is real, it is much easier to see what lines work in each song. It is like having a demo recording”.

Following his advice I began to type.  Despite the nonsensical sentences I put on the paper, the clacking of typewriter keys is a distinct sound, one long forgotten with the comparatively silent sound that emits from computer keyboards. And this intoxicating sound soon got me into the steady rhythm of writing.  While I was typing away, Stine grabbed his guitar and took the seat across the table from me.

When my typing slowed, he announced, “Here is the new one.”

 

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Halloween: What are YOU wearing?

 

By: Tim Newby

 

Halloween has long evolved from its beginnings (a celebration of the Celtic New Year or as the day before All Saints) into a candy-filled costumed extravaganza that finds kids salivating for bag after candy-filled bag with little thought of thehistory and traditions associated with the day.

Similarly the live music world has co-opted Halloween as a chance for bands to try on another’s music, by simply adding a couple of covers to their set or jumping in with two feet and attempting to cover an entire album.  Today, Halloween may only trail New Years Eve as the most important must-see event of the year.

2009 promises to be big with the return of Phish at their Festival 8 and the heavily hyped buildup to the album they will wear this year, Gov’t Mule’s Rolling Stones-inspired plans, moe.’s fan chosen setlist and much, much more.

With that in mind, Honest Tune asked some of our favorite musicians what it is about Halloween and the shows and music associated with it that makes it such a special occasion.

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From the Back Porch with Luther Dickinson

Words: Tim Newby

On a gorgeous Sunday evening in downtown Annapolis, I made my way to the back of the Rams Head on Stage to meet up with guitarist Luther Dickinson before his show that evening with his new project the South Memphis String Band.

After some small talk about the weather Dickinson led me through the backstage area, past the stage where Baltimore singer-songwriter Caleb Stine was warming up the crowd, past the kitchen area (stopping briefly to talk with band mate Jimbo Mathus), and eventually settling into a small backstage room where we could chat.

In conversation the Mississippi bred Dickinson’s Southern roots show through.  He is unfailing polite and speaks with a slow, thoughtful delivery that is peppered with a lot of “yeahs” and “mans.” Each answer comes across with his slight Southern drawl, which serves as a window to his Mississippi Hill Country home.

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Cooking with Claypool

Cooking with Claypool

words: Tim Newby

Image result for les claypool rex thompson

Bass-freak-master Les Claypool wants to dispel a long-believed perception of himself.

“It’s funny because there is this appearance that I am this very productive fellow and I am really not.  I definitely do not wake up every day and write a new song.”

He’s a man with his finger in all sorts of pies.  He’s fronted a wide-range of bands, from his early Primus and Sausage days to Oysterhead and Colonel Claypool’s Bucket of Bernie Brains, to his ever changing solo band.  He’s even written a book (“South of the Pumphouse” in 2006), and written and directed a movie (Electric Apricot: Quest for Festeroo in 2006) It is hard not to see Claypool as someone who is not productive.

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The Bridge: Singing Like the Early Morning Sun

By: Tim Newby

Photos By: Sam Friedman

 

bridge1

“You have to baby pick it,” says producer Chris Bentley.

“I thought I was,” the voice of Kenny Liner, mandolinst for the Bridge, comes over the speakers in the control room.  The frustration is clear in his voice.

 It is an unseasonably hot day in late March, but The Bridge – as they have most of the month – is holed up at the bottom of a non-descript white building located just outside the Baltimore City limits in Cockeysville, Maryland.  The building houses Bunker Recording Studio, the band’s studio of choice and where they have recorded all of their previous albums and are currently working on their new album, Blind Man’s Hill, due out October 21.

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Solomon Burke : Like A Fire

Image result for solomon burke like a fire

Solomon Burke – Like a Fire

Writer: Tim Newby

Continuing the late career surge that started with 2002’s Grammy winning Don’t Give Up On Me, The King of Rock ‘n’ Soul, Solomon Burke, keeps his winning streak alive with his new album, Like a Fire.  Enlisting a roster of songwriters made up of old friends (including Eric Clapton, Keb Mo’, & Steve Jordan) and new friends (Ben Harper and Jesse Harris), Burke looks to, “sing for all the people, young, old, all around the world,” and with the help of his many friends, he does.  Burke uses his Rock ‘n’ Roll Hall of Fame soul to give life to a series of songs that take a look at the hardships of the times, yet he delivers with his unwavering optimism and faith in the human spirit.

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Solomon Burke Gets His Due

Writer: Tim Newby

Solomon Burke, the King of Rock ‘n’ Soul, laughs often during conversation.  His laugh is a loud, deep, welcoming laugh that immediately brings a smile to your face.

And he is laughing right now.

Burke was talking about his musical influences naming many of the usual suspects you would expect, Nat King Cole, Dinah Washington and Count Basie, when he broke into his deep welcoming laugh.  He pauses for a moment before naming a not so usual suspect.

Continue reading Solomon Burke Gets His Due