It would be perfectly understandable for those not in the know to believe that country music is dead. In the mainstream, it has felt this way for the better part of the last three decades. But the sparks of a few real songwriters – with influences like Johnny Cash, Hank Williams, Merle Haggard – are building to a full-blown fire. And while Jamey Johnson, Sturgill Simpson, and Chris Stapleton, are leading the charge, there are upstarts in cities around the country who are kicking up true country songs filled with the sweat and grit of yesterday. One of them is The Travelin’ Kine.
These troubadours from Charleston, South Carolina, have now delivered their first album, entitled Change in the Wind, and although the title and title track don’t necessarily allude to the current state of country music, it seems apropos given the emergence of musicians that harken back to the good old days of the genre. And the band delivers an eight-song set that is straight-talking, compositionally adept, and soaked in spirits from some backwoods still.
“Change in the Wind,” written on the day frontman Slaton Glover’s divorce papers were signed and he dedicated his life to music, rides the brisk rhythm section of bassist Brent Poulson and drummer Jim Donnelly, giving momentum to his yearning. “I’m Not As Smart As You Look” spotlights Glover’s clever wordplay with sinewy lead guitar from Scottie Frier, “I Hate You” is a scornful wish for a former lover, and “Bad Bad Man” is a roadhouse rally cry accented by flourishes of harmonica and mandolin, courtesy of Mark Davis and David Vaughan, respectively.
At the heart of the album’s eight tracks is Glover’s adept songwriting. There are no frills here, and that is just right.
The Travelin’ Kine are yet another new voice in a country music chorus that is growing louder, and if there is such a thing as “real” country music today, it can be found on Change in the Wind.
Change in the Wind is independently released and out now.