Tag Archives: Fat Possum

Jimbo Mathus & The Tri-State Coalition: Dark Night of the Soul

jimbocdFor the past decade or so, Mississippian Jimbo Mathus has all-too-quietly been cranking out some of the finest roots rock around, each successive album delving deeper into southern roots music and melding it together in complementary concoctions that gratify the heart, hips and head.

His latest, Dark Night of the Soul, is his second for the Oxford-based Fat Possum records and follows nicely with last year’s White Buffalo.  Assistance from then-producer, now-guitarist Eric “Roscoe” Ambel (Del Lords, Bottlerockets) is one common thread. But another is Mathus’ constant maturation as a songwriter and sonic alchemist. After all those years of chewing up the roots of southern music, the resultant product of that mastication is a fiery, spitting stream of pure rock ‘n roll.

Mathus shows here again that he is perhaps our greatest modern practitioner of such fusion. He shifts effortlessly from the deeply grooving, Metersesque funk of “Fire In the Canebrake” to the honky-tonk Americana of “Writing Spider.” There are touches of soul, blues and country everywhere— the raw ingredients for pure, primal rock ‘n roll.

As someone starting with ingredients fresh from the source, it’s not surprising that Mathus reaches a conclusion that other legendary followers have, though often with even more profound results. The relentless boogie of “Rock & Roll Trash” out-Stones the Rolling Stones, the crushing feedback of “Burn The Ships” is crazier than Crazy Horse, and the sweeping, majestic title track is an epic that finds Mathus holding forth like a southern Springsteen. Seriously.

Elsewhere, the mash-ups transcend their constituent ingredients. For instance, the soul shouting of “White Angel” drifts into atmospheric hypnogogic asides while being straddled by muscular guitar heroics. He achieves elusive melancholy ache with “Medicine” and ghostly pleading on “Butcher Bird.”

Behind this alchemy is a penchant for storytelling  The namesake of “Hawkeye Jordan” is a richly drawn character that goes beyond the moonshiner clichés a lazier observer might rely on. “Casey Caught The Cannonball” is a worthy update to the folk legend. The tender “Shine Like A Diamond” began as the wedding vows he wrote to his wife. Throughout, there’s wrenching over absolution, redemption and past troubles.

Recorded at Dial Back Studios in Water Valley, Miss., Mathus is again backed by the excellent Tri-State Coalition (Eric Carlton, keyboards; Matt Pierce, guitar and drummer Ryan Rogers). He also welcomes guest players Ambel (guitar), bassist Matt Patton (Dexateens, Drive-By Truckers) and pedal steel player Kell Kellum.

Together, they whoop up a ruckus and conjure real rock ‘n roll straight from the source, the kind of gut-punching, hip-shaking record that is a real gem because it carries with it a kind of depth and soul all too rare in a landscape that seems to value such authenticity less and less.



Dark Night Of The Soul is out now on Fat Possum Records.

Jimbo Mathus & The Tri-State Coalition : White Buffalo

Jimbo_Mathus_White Buffalo

One of the great things to transpire over the last few years is the resurgence in appreciation for Americana music. With no need for big fancy stage shows, no desire to hide their voices behind auto tune, and no desire to write songs that pander to the common denominator just to sell records and make money, these artists simply write and play because it’s what the they love. Jimbo Mathus is one of these folks, and nowhere does it show more than on his latest album, White Buffalo.

The opening track, “In The Garden,” is the sound of a sunlit field, waist-high grass, and warm breezes blowing through. Other songs, such as the title track and “Run Devil Run,” show that when Jimbo and his band want to show off their Southern temperaments, it isn’t a problem. A kinship to Luther Dickinson and the North Mississippi All-Stars emerges on tracks like “Hatchie Bottom” and “Fake Hex”, with their swampy, juke-joint rhythms.

Recorded with his band, The Tri-State Coalition, this record is the culmination of a career and life of highs and lows; one that has seen many musical successes, but has also seen Mathus’ marriage end and his previous band, The Squirrel Nut Zippers collapse. Fortunately, he returned to his roots in Mississippi and found not only himself but his “voice.”

White Buffalo is out January 22 on Fat Possum Records