Tag Archives: Everyone Orchestra

19th Annual Summer Camp

Summer Camp 2018
19th Annual Summer Camp
Chillicothe, IL
Photographer/Writer: Tyler Muir

The unofficial kick off to summer is Summer Camp Music Festival. After it’s 19th year Summer Camp has solidified its name as the premier festival in the Midwest and continues to grow. Having ten stages with music being played on them nearly twenty hours a day, Summer Camp has become a music festival buffet that has something for everyone. Who says you have to be a kid to go to camp?

The unofficial camp counselors of Summer Camp are the boys from Umphrey’s McGee. From stage time to organizing the festival’s kickball game, the band has earned all possible camp badges at this point. Their Friday night set showed why the band has come to the forefront of jam scene. Starting off with, “Maybe Someday” they let everyone know they are not afraid of heights. “All in Time” seemed to have a little extra magic sprinkled on it sounding like an anthem being played across the festival grounds. “Booth Love” had support from Ryan Zoldis and Eric “Benny” Bloom of Lettuce with all the juices flowing everyone ended set one in fourth gear with “Call to Arms”, from the infamous Sturgill Simpson.

Continue reading 19th Annual Summer Camp

Everyone Orchestra to play special late night show after Charm City Festival

Charm city late nightThe Everyone Orchestra will play a special late-night show at the 8×10 in Baltimore after the 2nd Annual Charm City Folk & Bluegrass Festival April 26 at Druid Hill Park earlier in the day.  The Everyone Orchestra is an improvisational musical project led by Matt Butler and featuring a rotating cast of musicians.  The line-up for the Orchestra this evening will include Danny Louis(Govt Mule), Anders Beck (Greensky Bluegrass), Andrew Altman (Railroad Earth), Cris Jacobs (The Bridge), Nick Piccininni (Floodwood), and Jami Novak (Cabinet).

 

 

Tickets for the show will capped at 300 to “ensure a cozy and intimate experience.”  Tickets go on sale later this month and further details wil be announced soon.

 

 

Tickets for the Charm City Folk & Bluegrass Festival are on sale now and can be pruchased here.

 

 

Check out Honest Tune’s coverage from the inagural Charm City Folk and Bluegrass Festival last year. Charm City Folk & Bluegrass Festival and the Killer B’s.

Everyone Orchestra, 5/18/13

Everyone Orchestra
Oriental Theatre

Denver, Colorado
May 18, 2013

 

One never knows what to expect with the Matt Butler led Everyone Orchestra, an ever-changing variety of some of music’s finest that has likely already been at a festival near you; each year he is tasked with assembling a cast of players for All Good Festival’s annual Rex Jam, a benefit for the Rex Foundation.

If you are still unsure, think “madman, top hat, dry erase board and random talent being directed by said madman on said dry erase board.”

Indeed at first site it appears that what Butler has managed to do is pull off the title of “successfully traveling musician with the lightest load-in ever” for over a decade. In effect, he has. But along the way, his knack for being fully willing to fall on his face coupled with an obvious sense for where to go next, has resulted in him hosting notables from virtually every standard bearer on the circuit and in the meantime, raise money and spread the message for and of worthy environmental causes.

This night would be no different when bluegrass heavyweights – guitarist Billy Nershi (String Cheese Incident), violinist Tim Carbone (Railroad Earth) and Dobro ninja Anders Beck (Greensky Bluegrass) – and members of some of Colorado’s finest musical exports took the stage before a sold-out crowd at Denver’s Oriental Theatre.

Honest Tune’s Brad Hodge was on the scene to bring back images from the action.

 

Click on the thumbnail(s) to view photos from the show by Brad Hodge

(see below the gallery for the evening’s full cast and audio)

 

 

 

Everyone Orchestra | 5/18/13

Cast: Matt Butler- Conductor, Billy Nershi (String Cheese Incident), Tim Carbone (Railroad Earth), Anders Beck (Greensky Bluegrass), Dave Watts (The Motet), Jans Ingber (The Motet), Kai Eckhardt (Garaj Mahal) special guests Tanya Shylock and Bill McKay

 

 

Jam Cruise Artist Testimonials, Part One: Franti, Grace, Cornmeal and Everyone Orchestra (VIDEO)

Sunset.jpgIt is a well known fact that we absolutely love Jam Cruise. Simply put, there really is nothing about the five day adventure that is not lovable. The sun in January, the vast and endless sea as a backdrop and sit-ins that literally only happen on Jam Cruise all make for an annual event that is in a league unto itself.  Of course all of this fails to mention the camaraderie  of the passengers, better known as “jamily.”

Over the years, so many incredible talents have graced the decks and theatres of the various boats that Jam Cruise has called home. So with this upcoming sailing being the monumental tenth one, we thought that a series featuring artists (who have played on the boat) telling Jam Cruise stories and testifying to the event’s greatness would be appropriate.

In this first video of a yet unknown amount of footage yet to come, we sat down with Michael Franti, Grace Potter, Cornmeal’s John-Paul Nowak, and the Everyone Orchestra’s Matt Butler to get their perspectives as we all long for what is sure to be another epic Jamuary.

 

 

Jam Cruise Artist Testimonials, Part One:

Grace Potter, Michael Franti, John Paul-Nowak

(Cornmeal) & Matt Butler (Everyone Orchestra)

  A look back at Jam Cruise 9…

Reminiscing at 10KLF

10,000 Lakes Festival

Detroit Lakes, Minnesota

July 18-21, 2007

 

Minnesota is known for many things, with lakes among the most popular.  Celebrating summer with good music has always been the way I like to remember my home state best, so heading back for 10,000 Lakes Festival is always a treat.  

This year marked the fifth 10KLF, with ticket sales at an all-time high.  I attended inaugural festival, so it was fun to come back four years later to see how the event had matured.  It was evident that plenty of progress has been made in developing and fine-tuning the grounds, an integral part of what makes the event special.  Surrounded by mature oak trees, green grass, and water, the temperature generally stays cool, making 10KLF an ideal summer fest respite for bands and fans alike.

This year the weather was warmer, but certainly not hot enough to slow the attendees down.  The festival grounds buzzed with seemingly non-stop activity that flowed through the huge festival field and the five campgrounds surrounding it and into the vending area, which was packed with a plethora of great food and craft vendors.

The four main stages were a good length apart, but not far enough that you get exhausted just thinking about moving to the next show.  But if a fest guest were too tired to walk back to their campground, a golf cart cabbie was readily available to give their dogs a rest.

The line-ups at 10KLF consistently provide something for everyone to enjoy.  I managed to take in 18 bands this year without seeing one mediocre performance; not a single show was even close to lackluster.  

I pulled in at dusk on Wednesday to the bluegrass-meets-rock sounds of Blueground Undergrass.  The first evening was mellow but very uplifting, and as the venue began to fill, it rippled with anticipation.

During the afternoons, the shows were played with plenty of verve under the blue and sunny skies.  Galactic, New Riders of the Purple Sage, Outformation, Everyone Orchestra, Keller Williams, Little Feat, and Toubab Krewe all brought an infectious enthusiasm to the midday settings. Crowds gathered early in front of all stages, and sheer ecstasy and rowdy applause could be found at every turn.  Even by day four, when you would expect partiers to show signs of fest weariness, the crowd’s energy remained surprisingly high.

 

 

 

The schedule for every evening was thoughtfully planned.  If someone truly wanted to see all of the evening bands, it was possible – providing, of course, you had the stamina to get you through it.  There was very little overlap of headliners, so you never really had to choose one over another.  Over nine hours of top notch performances were flowing every night

On Thursday evening Zappa Plays Zappa contributed two and a half hours of Frank’s tunes, played to perfection.  This delightful din, fronted by Frank's son Dweezil was followed by a very rambunctious two and a half hour set from Umphrey’s McGee. The Disco Biscuits finished out the night and provided a sort of pulsating electronic lullaby to those who went back to their camps to rest off the well danced day. 

moe. supplied just the right amount of Friday night spunk to prepare adoring String Cheese Incident fans for an emotional three and a half hour set. The usual celebratory weirdness you expect at a SCI show was present in full-force, and it was interesting to witness, knowing that the end of an era for both band and fans was unfolding right in front of me.

There was a sentimental vibe emanating from the audience, and the band was clearly enjoying the warm, err, fuzzies.  Anyone who wasn’t feeling too sentimental to continue rocking out went on to enjoy a riveting high energy performance by The Tragically Hip, but if pure stings strummed heavily in a foot stomping, front porch manner was more your style, the choice to see MN’s own Trampled by Turtles was also available.  TBT was extraordinary and it was pure pleasure to witness their exuberant fans enjoying the heck out of the show.  

 

Saturday night was definitely set up to be a grand finale.  Gov’t Mule started the evening off with every bit of force they are capable of.  The wind picked up and blew a refreshing breeze over the rhythmically warmed.  Just when I thought the show couldn’t get any better, Derek Trucks emerged on stage to add his slide on "32-20 Blues."  The band was in a rockin’ good mood and did not hold back as they prepared the crowd to embrace Bob Weir and Ratdog.  

Ratdog kicked off their set with "Help On The Way > Slipknot," and never looked back.  An absolutley unforgettable guest appearance by Warren Haynes on "Big Railroad Blues" closed out the first set, working the audience into a massive dancing frenzy in the process.  The second set saw Weir's playful side surface.  No Minnesota performance by any Grateful Dead member would be complete without a Bob Dylan tune, and "A Hard Rain's Gonna Fall" quickly turned into an enormous feel good sing along.  Ratdog has been on the road with Keller Williams for several weeks, and the one-man band joined his tourmates to close out the second set on "Bird Song," "Cassidy," and "One More Saturday Night." 

A 30 min fireworks display was launched after Ratdog’s last note and revved the audience into gear for a phenomenal midnight set from The Derek Trucks Band. The music sounded fantastic under the starry sky, and the band was in great form, smiles beaming from the stage for the entire show.  

The raw and raunchy funk of Ivan Neville’s Dumpstaphunk was also available during the same midnight time slot to assure that all dancers with even an once of energy left could set their souls afire in front of any active stage.  And if one last set was what a lingering guest needed, a great late night/early Sunday morning set came from The Lee Boys.  Nothing is quite as satisfying as a dose of sacred steel in the wee morning hours to close out a phenomenal weekend.  

I left 10KLF feeling tired, yet rejuvenated all the same.  The mind set of the staff who run the show definitely contributed to the culture of the event, and I didn’t meet a single employee who was not glad to be there or enjoying their job.  If there really is such a thing as “Midwestern nice” the people who put on 10KLF fit the definition.  No details were overlooked at this party, and my, what a party it was!

 

All photos by Candise Kola

 

 

High Sierra back in fine form

High Sierra Music Festival

Quincy, California

July 5-8, 2007

 

The High Sierra Music Festival has always been about more than just music.

At its best it is about magic. 

In the summer of 2007 that magic that was back in full force.

Thanks to the hard work and cooperative efforts of festival organizers and the city of Quincy, California, the Plumas County Sheriff's Office was not nvited to this year's festivities.  Instead, sympathetic community volunteers walked the festival grounds as a peace keeping force.  This allowed festival goers to freak freely and let the magic flow.

High Sierra was again the gem that all festivals should aspire to being.  By focusing on the hottest mid-level and up-and-coming acts on the circuit, this four day music festival draws true music lovers to revel in sound and each other's company for a long and lovely weekend.

If "the heat" had been held at bay this year, the heat was not.  As the fest opened Thursday temperatures climbed well past 100 degrees as campers settled in and built as many shade structures as they could. 

The weather proved no impediment to the fun, however, as Vince Herman and Great American Taxi  kicked off the music on the main stage, while Los Angeles' Shannon Moore entertained the Shady Grove stage with her hook-laden rock sounds, 

The March Fourth Marching Band combined burlesque and acrobatics with their set, Salvadore Santana (Carlos' son) fused world rhythms, rock and hip hop, Garaj Mahal turned into a quintet with the addition of bassist Kai Eckhardt's extremely talented pre-teen son on drums for their complex fusion jazz, and That One Guy worked his unique instrument of pipes, reeds and loops.

Sol Jibe proved itself one of the hardest working and most delightful new finds at the fest by lending it's world beats and Latin rhythms to two different stages during the course of the day, winning new fans every time it played.  The Waybacks offered their blend of bluegrass, rock and country sounds, Hot Buttered Rum tore it up in an acoustic way, while Zilla offered more electronic grooves.  As Galactic's hard New Orleans funk closed out the main stage the heat had not yet yielded, lending a Southern feel (minus the humidity) to the proceedings.

When the outdoor stages were closed for the night at 11 the heat finally let up.  Things may have eased up on the bodies of all the festival goers, but the music geared up for round two of day one. 

Anders Osborne kept the New Orleans vibe going in the Funk N Jam House with String Cheese Incident's Kyle Hollingsworth on keys and Galactic's Robert Mecurio on bass before Soulive held funky court there. 

String Cheese Incident's Michael Kang brought his electric mandolin to the African funk sounds of Chris Berry and Panjea in the Tulsa Scott Room before Kan'Nal rocked the psychedelic tribal groove there. 

But it was the Yonder Mountain String Band that was still rockin' the Music Hall with it extremely energetic newgrass as the first light of dawn cracked the sky at five A.M.  If there were those that were tempted to leave earlier, that temptation ended when Vince Herman came out and joined the band for "Cuckoo's Nest > Jack London" during the second set, including an extended, improvised romp with lyrics about what a dream High Sierra is.

 

all photos by Susan Weiand 

  

Thursday 

 

 

Read on for Friday

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While it was warm again as day two began, temperatures would not again reach the brutal highs of that first day, providing some relief.  Some festivarians chose to hit the nearby swimming hole, while others opted for cold showers even though hot ones were available.  Many others began cooking bacon, which seems to have become the breakfast of choice for serious festival goers.  The combination of stomach-settling grease, water-retaining salt and  energy-providing protein in a candy-meets-meat form was almost as popular as coffee and Bloody Marys for breakfast in camps throughout the fairgrounds.

This morning was when the magic became palpable.  Start wondering where a friend was and they would appear.  Realize you needed something and it would be offered before you spoke.  Think you even wanted something and it too would manifest.  "Careful what you wish for" became a running joke but the reminder seemed unnecessary because the positive vibe was everywhere.

Friday also featured many of the acts of day one on different stages at different times, providing opportunities to see bands missed when the inevitable tough choices among High Sierra's four stages and playshop room all operate simultaneously.  Yonder rocked the mainstage just as they did during their evening set.  The Waybacks, Anders Osborne (again with Kyle Hollingworth), Soulive and Kan'Nal all did it again in the broad daylight.

New acts were also showing up to join the fun.  Brett Dennen was joined by members of ALO in an inspired Big Meadow stage set of his thoughtful, tender and utterly catchy songs.  Xavier Rudd proved himself equal parts Ben Harper, Michael Franti, Keller Williams and tribal rocker as he wailed away on electric dobro and three different didgeridoos; if there is one word that characterizes his music it might be "love." 

The Devil Makes Three is an old time string band on steroids, while the Drive-By Truckers rocked the house in a whiskey-soaked set to close out the mainstage in Southern style again.

The annual Camp Happiness cocktail party earlier in the day was set to feature the New Mastersounds at 4:20.  Their drums were still in transit as the party began.  No worries.  Vince Herman, the very spirit of the festival, had stopped by.  He picked up his guitar (after another rollicking set with Great American Taxi on the Shady Grove stage) had a mic taped to a keyboard, and proceeded to hold court with two members of Eddie & The Roughnecks on bass and keys and Sam Johnston (Box Set) on harmonica for over an hour of unalduterated joyuntil the New Mastersounds were able to take over.

After all that sonic goodness, Ivan Neville's Dumpstaphunk still managed to steal the best act of the day award with a blistering set of funk the way funk is supposed to be played — loud and dirty.  Highlights included an Al Green tribute, A Rolling Stones cover, and the theme song from The Sopranos.  Two basses, a kick drum that could be felt more than heard and some serious shredding from the guitar of Ian Neville had folks dancing for hours and talking for days.

Late night again offered something for everyone as SCI drummer Michael Travis' project Zilla and DJ extraordinaire Bassnectar provided electronica,  The Waybacks and Hot Buttered Rum served up the grass, while The Phix's Phish tribute opened for Garaj Mahal's fusion in another room.

 

Friday 

 

Read on for Saturday

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Saturday began with temperatures still high but since they weren't as hot as day one, and people began to adapt, it was becoming more bearable. Some of Austin's finest took over during this day, including Guy Forsyth's Tom Waits inspired madness, Patrice Pike's conscious rock, and perhaps most importantly, Carolyn Wonderland

Wonderland is equal parts Janis Joplin and Stevie Ray Vaughan.  She clearly had the single best, most powerful voice at the festival and she can shred on the slide guitar.  All while remaining conscious of what truly matters and humble too.  Why Carolyn Wonderland is not a huge star is and shall remain a mystery.  Her Vaudeville Tent set brought down the house.

Other inspired sets were turned in by ukelele wizard Jake Shimabukuro, the rollicking country of the Mother Truckers,  Nickle Creek's Chris Thile's
solo project How To Grow A Band (featuring Greg Garrison and Noam Pikelny of Leftover Salmon), the African sounds of Asheville, North Carolina's
Toubab Krewe, the jazz of Bobby Previte's Coalition of the Willing, the crazy rock of Les Claypool and the old school bluegrass of Del McCoury.  The Ryan Montbleau Band won many fans for its sweet rock on their first trip to the far west.

Again it was the closing act of the Vaudeville Tent in the midnight hour that stole the show for many, however.  Something happened when JJ Grey & Mofro took the stage that mere talent alone can not account for.  It was that old High Sierra magic that infected that Blackwater swamp rock this night and many jaws were set agape by the Jacksonville, Florida unit's new lineup featuring a horn section.

Before one could fully digest what had transpired, however, the late night fun began indoors.  The funksters headed over to see the Meters inspired sounds of The New Mastersounds (with Papa Mali opening), those seeking heady trancefusion headed over to see the Disco Biscuits, while the largest crowd gathered to see the reunion of Leftover Salmon.

The sold out hall was first treated to Darol Anger's new supergroup, Strings for Industry.  Anger is a true virtuoso on the fiddle, but when he gathered his new Portland, Oregon based unit featuring Tony Furtado on guitar and banjo, Scott Law on electric guitar, Tye North (formerly of Leftover Salmon) on bass and monster drummer Carlton Jackson the magic was flowing again. 

But it was the Leftover Salmon reunion that drew the crowd.  Playing their first gig as a full band since they went on hiatus at the end of 2004 (a gig two weeks before at Telluride was without keyboardist Bill McKay), it was like they never left the road.  The band was on fire from the first notes and the crowd responded in kind.  Drew Emmitt is a spectacular player and singer, and Vince Herman is a force of nature, but something happens when the two of them are on stage together that is far greater than the sum of the parts. 

As if they could not get enough of playing together, the group kept it up until five thirty in the morning, going past the crack of dawn to dawn itself.  As the last notes of "River's Rising" greeted th new day everyone wondered how Leftover Salmon could possibly top that on Sunday, the final day of the festival.

Vince Herman was later seen playing a morning game of kickball with fans rather than heading to bed.  Your reporter managed to catch only two hours
of sleep after the Salmon set, but that is not the reason the majority of things he saw the last day were on the mainstage.

 

Saturday 

 

Read on for Sunday

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For years now Maria Kelly has handled all the MC duties for the Grandstand Stage, but this year she could not be there. I was among the radio personalities given the honor to announce the acts there on Sunday.  It was an honor and a real joy to do so.  I did manage to catch the first hour of the Gospel Show on the Big Meadow stage while eating breakfast that morning, however, and what a way to start the day.  Carolyn Wonderland, Patrice Pike, Papa Mali, Shannon Moore, Guy Forsyth and others really know how to start a Sunday morning!  Sweet, rootsy, funky gospel goodness replete with prayers for peace is how to do it and they did right, song circle style.  With all that talent on stage there was no way to do it otherwise and, man, did it work.  If church
was always like this I would go every day.

As people started to wake up, however, it became clear that haze obscuring the mountains across the valley wasn't simple fog, it was smoke.  A few scary thoughts crossed everyone's minds until it was learned that the major wild fire creating all that smoke was over 30 miles away, not moving in the direction of the festival, and not being whipped by winds on this still morning.  So the smoke, which had settled into the valley overnight (and mostly dissipated by late afternoon), was an annoyance, not a threat.

Whatever else was going on at the festival (including sets by New Mastersounds, Eddie & The Roughnecks, Ryan Montbleau, Disco Biscuits, Chris Thile, ALO, the Budos Band, Brian Auger's Oblivion Express, I was content to be at the mainstage.  After a set by Lynx, a unique young hippie woman whose music combines folk, looping, computer beats and conscious lyrics, Albino, a San Francisco-based Afrobeat band, got people dancing despite the heat and the smoke.  The legendary Mavis Staples was up next, and the gospel theme continued into the afternoon.  An hour and a half break and the evening's festival closing sets were lined up. 

JJ Grey & Mofro were very good, even if they did not quite scale the heights they did the night before.  Phish's Page McConnell (who played a previously unannounced solo piano playshop earlier in the afternoon) brought his new band on and truly rocked the house for two hours of inspired rock.  McConnell may be the best leader to emerge from Phish, and he will certainly prove to be the most consistent unless Trey Anastasio eventually gets his shit together.  I was never much of a Phish fan so it was a great surprise to me just how good this group is.

After some heartfelt thank yous from the festival organizers to the city of Quincy for stepping up to quell the the civil rights violations of the Sheriff's office the last few years and trusting them, and the festivarians, to take care of ourselves, Leftover Salmon took the stage again.  With so little sleep and so much magic happening everywhere, it seemed a little like it was third set of a long Leftover Salmon show with some truly great tweeners as LoS took absolute command of the festival.

If their latenight extravaganza had been great, this was somehow even greater.  It was more focused, tighter and had even more energy, if that is possible. Guests included Darol Anger for most of the set, Chris Thile on mandolin, Page McConnell on keyboards for song, and others, but mostly it was Leftover Salmon proving that they are now and always will be the very spirit of the festival.  The group seems to understand the magic, chaos, joy and energy of the festival and turn it into sound.  It's just that incredible.  I for one hope they never stop playing together, even it is just sporadic summertime festival gigs every year.

Later on I wandered around a bit, tempted by the San Francisco party that ALO and Tea Leaf Green were throwing in one late night hall while Les Claypool or the Everyone Orchestra played in others, but instead went to a party I had been hearing about in Camp Harry in RV area near the Big
Meadow stage. 

What a scene that was as Eddie & the Roughnecks (another UK funk band led by Eddie Roberts of the New Mastersounds) tore it up as people danced and talked.  Eventually, however, I had to give into being tired and realize that it had really happened.  High Sierra 2007 had gone on for four days — almost around the clock — with virtually no trouble, great amenities (note to all other festival producers: the importance of clean portapotties for the entire weekend can not be underestimated and is worth whatever it costs!), great food and drink and most importantly, great people.

The campers not only enjoyed the music and each other's company, they respected the space they were in.  As the tear down began on Monday morning it was clear that people were bringing their trash and recyclables to the proper spots and leaving very little matter out of place for the Clean Vibes crew (who also did an amazing job) to deal with.

Let the news ring out throughout the land: High Sierra is back and believe it or not, better than ever.  The Best Fest in the West is back!

 

Sunday 

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