David Grisman and Tommy Emmanuel
Sandler Center for the Arts
Photographer/Writer: Mark Robbins
Dave Grisman can not be pigeon-holed; bluegrass, jazz, folk, composer, producer, session player, leader, the list is endless. Jerry Garcia nicknamed him “Dawg” and what he played was “Dawg Music”. Tommy Emmanuel was given is first guitar at age 4 and by 6 he was playing in the family band, The Emmanuel Quartet. He never learned to read or write music but Chet Atkins designated him a C.G.P. – Certified Guitar Player – one of only 5 musicians to receive that title from Atkins. At home with blues, jazz, folk, Spanish traditional, Emmanuel is at times a one man band playing melody, chords and bass all at once. So, when Grisman and Emmanuel appear together, as they did at the Sandler Center for the Performing Arts, they are a category 5 hurricane, F5 tornado, and a tropical cyclone let loose on the stage. Playing heavily but not exclusively from their album “Pickin” the pair performed a 2 hour high energy show that no one wanted to end. Continue reading David Grisman and Tommy Emmanuel→
The nearly sold out crowd at Washington D.C.’s The Hamilton Live was treated to the kind of night that made you wish you were in a band, could share such a focused vision, and enjoy the people you worked with as much as the two bands seen on this night. The crowd was loaded for the headliner, The Dustbowl Revival, an 8 piece-touring powerhouse from Los Angeles, California, and they got everything Dustbowl famously delivers and much more.
For starters, the opening act, Sammy Miller and the Congregation, put on a clinic in winning over a crowd that was for the most part, unfamiliar with them. Drummer and bandleader Sammy Miller has created an ambitious project that succeeds by virtue of his band mates buying in all the way. It is part early swing band and part comic production. They are comprised of piano, upright bass, drums, sax, trumpet and trombone, and they have vocals good enough that the band sometimes goes a cappella. Continue reading Dustbowl Revival and Sammy Miller and the Congregation→
Buddy Guy and the Damn Right Blues Band Heat Up a Hot Summer Night at the Sandler Center
Virginia Beach, VA
August 22, 2017
Photographer/Writer: Mark Robbins
When 81 years old Buddy Guy walked from stage left to the the microphone center stage of the Sandler Center the audience was already on it’s feet. That’s how it’s been for the past 50 plus years, whether sharing the stage with Eric Clapton, Jeff Beck, Jimi Hendrix and others or, like Tuesday night, just him backed by the Damn Right Blues Band.
Wheels of Soul Tour Tedeschi Trucks Band with special guests hottuna.com, Wood Brothers
Wednesday, July 19th 2017
The Lawn at White River State Park
Photographer: Tyler Muir
Writer: Amber Jennings
The Wheels of Soul Tour has become an essential staple to the summer concert line-up at the Lawn at White River State Park in Indianapolis, Indiana. “The Lawn” as locals refer to it offers one of the states best amphitheaters. The venue sits on the east bank of the river and offers concert goers striking views when the sun slips behind the amphitheater and paints the sky with stunning sunset colors.
Monterey International Pop Festival 50th anniversary
Monterey County Fairgrounds, Monterey CA
June 17-19, 2017
Photographer/Writer: Susan J Weiand
Monterey International Pop Festival, celebrating 50 years, maintained a “music, love and flowers” mindset throughout the festival grounds, with an ambiance that hearkened back to the Summer of Love. An on-site photo gallery, a tribute to the film, art exhibits and hands-on workshops also added to the scene.
It was a weekend full of big moments. Artists on this year’s lineup shared the sentiment that they were honored and inspired to represent the festival’s rich history at the 50-year celebration. They paid tribute to the 1967 performers by covering their songs, highlighted by Leon Bridges & Nathaniel Rateliff’s duet of Otis Redding’s “(Sittin’ On) the Dock of the Bay.” Continue reading Monterey International Pop Festival 50th Anniversary→
Musical styles be damned in 2017, and it’s possible no band reinforces that point of view more than Nashville-via-Alabama’s Banditos. Their latest release, Visionland, is chock-full of tracks showing the act’s genre-bending dexterity. Continue reading Banditos: Visionland→